Catalogue 2. 01. 6 - 2. T BL OF CONTENTS TABLE OF CONTENTS. Academic Calendar 2. Major Administrative Officers. Faculty. Professors Emeriti. Tomamos great measures to make sure that there is. We may modify this Agreement when required. DOCUMENT OF DOWNLOAD. Not in a confined space industrial clothing, rescue and the. OR IN VIDEO OR PHOTO ALBUM AND. Official classifications of I ULTRA 100YPICOIII CAREER BXM LORCA. Search by bib or name of broker. Department of Singing. Department of Piano. Department of Strings. Department of Winds and Percussion. Department of Jazz and Caribbean Music. Department of Music Education and General Studies. Department of Theory, Composition and Musicology. Sets Institutional. The Pianists Co-Workers. Accreditations, Licenses and Affiliations. Accreditations. National Association of Schools of Music. Middle States Commission on Higher Education. License to Operate of the Council of Education of Puerto Rico. Affiliations. European association of Conservatories, Academies and Music Schools. National Guild of Community Schools for the Arts. Download My Big Fat Greek Wedding 2 (2016) Movie Online. Steinway Sons. General information the Conservatory. Mission. Historical Background. Institutional Government. Government Academic. AMR Productions: April 2. The term mise en scene, is a concept used in film, television, and in theatrical practice. In film and television, has come to be a synonym of composition, but applied to the audiovisual environment. In theatre, it is understood by staging the work of the stage director or theatre director, consists in bringing to the scene a text dramatic turning it into a theatrical performance. According to this definition more extensive, the staging refers to the conjugation of the elements that make up the image, and the theatrical representation, namely: dramaturgy, props, or scenery; lighting; locker rooms and characterisation; interpretation; sound. The mise en scene of a film begins with the prior distribution of the stage space from the planning of the script that is divided into sizes of flat sequences allowing a preview of the film. In every film there is a person responsible for the set of processes that are put in place and all departments that work together for a better exploitation of the common efforts. This a true catalyst usually receives the name of director and its main function is to organize the mise en scene in the shoot. In the film industry. The putting in scene, understood as the composition of the frame, is all the process that takes the work and has relevance in the film when we talk about flat very spacious in size and very long in duration (it is supposed to be, which contrasts with the mounting). In them, we see that an interpreter comes into picture (which would be the equivalent in theater to enter the scene), comes out of the box (equivalent to mutis), rises and runs through the screen, feel on a site. We also see that when you sit the first one, picks up another, and across its movements... Is to say, a kind of choreography that gives dynamism and interest to the plans, and that, as a discipline, is obviously a legacy of the theatre. There are film directors that have been highlighted by its staging. In his particular styles can be found this kind of plans long in duration, perhaps a flat sequence, and a large number of characters that must interact. The putting in scene, understood as the realization, was born almost at the same time that the film - fiction, or cinema - art, when the cinema ceased to be only a continuation of photography, this being understood as a means of capturing images in motion. In television. The putting in scene, understood as the place of the frame in which is placed each element and each interpreter, besides the movements that carry out the actors within the frame, has more relevance in tv than in film, since the latter is more dynamic and the changes of sizes of flat and scenarios are more frequent. Classification of needs of the staging. The scenarios have to be clothed and adorned with the objects that appear in the action. Also the actors playing human characters or non-human, have to be dressed and characterized. All audiovisual work needs to be credible in a setting. To cover the wide variety of materials and objects that are involved in the atmosphere we will make the following classification: Decorated. It includes all the furniture that you saw a scenario as well as the paintings, curtains, lamps, etc; the vehicles that appear in the scene although its function is merely decorative; the animals that appear in the scene; the armory decorative; decoration by graphics non-electronic: screens, diagrams, maps, panels,etc Prop. What are all those objects with which actors interact in the scenarios, that is to say, with those who play or manage. They are fundamental in the narrative and usually come perfectly indicated in the script, directly or indirectly, (can be pens, weapons, medicines, ashtrays, cigarettes, etc ). With the elements of prop it is necessary to increase the control of continuity, formal or fitting of presence that mark the continuity in the action. Foods on the scene. On numerous occasions it is necessary to appear meals to conform to a particular scene. In this case, it is necessary to have the food cooked or not (many times doubled), natural or synthetic to be able to withstand the heat of the lighting. Also we should have the table linen, cutlery, crockery, tableware, glassware, etc , associated with the resolution of the needs of the production sequence specific. Gardening. Includes all the pots, plants and gardens that appear in the narrative, their installation and maintenance. Semovientesanimales and vehicles. Livestock or live animals involved in the action as well as vehicles with engine or with animal traction that have to operate in scene make up this section qualifier. We must include, also, other related items and indispensable as solutions to the transport and return, the stables, or places of keeping of the animals, the fodder for their food and gear, reins, saddles, tack, atalajes, etc , necessary for the control of animals during registration. Costume. Constitutes the raw material for the setting of the physical appearance of the actors. It is common to hire a professional who is responsible for the fabrication as the apparel even though it is also frequently resorted to the rental of the same (usually in companies of services specialist, whether it's period costumes) or to purchase in the shops of the bouquet. Many times we are negotiating with businesses of fashion the use of a certain dress in exchange for a particular advertising more or less evident. The footwear, jewelry, add-ons, and all those elements intended to give physical appearance to the characters included in this concept. Makeup, characterization, and a hair salon. Are complementary for the setting of the physical appearance of the actors.